HOD+articles


 * //Heart of Darkness //and "Apocalypse Now": a selection of critical responses **

1. [|His Sympathies Were in the Right Place - HOD & the Discourse of National Character, 1998 (19th-Century Literature, 33p)] 2. [|Freud, Conrad, and HOD, 1980 (College Literature, 10p)] Maria Valles 3. [|Don Quixote in Heart of Darkness, 1975 (Comparative Literature Studies, 9p)] (read with another short article) **NOT AVAILABLE DUE TO THE SAMPLE PRECIS I WROTE - see the wiki** 4. [|Decentering HOD, 1978 (Modern Language Studies, 8p)] (read with another short article) **megan** 5. [|Coppola's Conrad, The Repetitions of Complicity, 1981 (Critical Inquiry, 19p)] **Nick** 6. [|Conrad's Critique of Imperialism in HOD, 1979 (Publications of the Modern Language Association, 13p)] **Amanda** 7. [|A Voice without a Body, The Phonographic Logic of HOD, 1997 (Victorian Studies, 33p)] **Marisa** 8. [|HOD, Tarzan, and the Third World, Canons and Encounters in World Literature, 1993 (College Literature, 20p)] 9. [|HOD, Out of Africa Some New Thing Never Comes, 1989 (Journal of Modern Literature, 13p)] Ernie, Period 8 10. [|HOD and the Third World Writer, 1990 (The Sewanee Review, 18p)] Ernesto Vogeler 11. [|HOD and the Failure of the Imagination, 1965 (The Sewanee Review, 16p)] Barbara 12. [|HOD and some Old and Unpleasant Reports, 1987 (The Review of English Studies, 3p)] (read with another article) Mandi 13. [|HOD and Late-Victorian Fascination with the Primitive and the Double, 1993 (Twentieth Century Literature, 15p)] 14. [|The Power of Adaptation in Apocalypse Now, 1979 (Film Quarterly, 8p)] (read with another short article) **Gabriela Arocha**

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<span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">15. [|The Moral Conditions for Genocide in Joseph Conrad's HOD, 2005 (College Literature, 21p)] Anton ===== <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">16. [|The Frontier on Which HOD Stands, 1981 (Research in African Literatures, 7p)] (read with another short article) Mandi <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">17. [|The Exclusion of the Intended from Secret Sharing in Conrad's HOD, 1987 (NOVEL, A Forum on Fiction, 14p)] Daniela <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">18. [|The Dog in Breeches, Conrad and an African Pedagogy, 1998 (Research in African Literatures, 11p)] Andreina Morales <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">19. [|On the Margin, The Peripheral Characters in Conrad's HOD, 1990 (Journal of Modern Literature, 21p)] <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">20. [|Modern Pharisees and False Apostles, Ironic New Testament Parallels in Conrad's HOD, 1982 (19th-Century Fiction, 21p)] <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">21. [|Lying as Dying in Heart of Darkness, 1980 (][|PMLA, 12p)] and [|Lying as Dying response (3p)] Evelyn <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">22. [|Listeners and Lies in HOD, 1987 (The Review of English Studies, 12p)] **- Heleny Cadenas, Period 8** <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">23. [|Language, Silence and the Existentialist Whisper, Once Again at the HOD, 1972 (ML Studies, 6p)] (read with another article) **Gabriela Arocha - Period 8** <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">24. [|Into Africa, Orson Welles and HOD, 1994 (Cinema Journal, 18p)] Maria Victoria <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">25. [|Inside like a Kernel, Literary Sources of HOD, 1998 (The Modern Language Review, 14p)] Andres <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">26. [|Imperialism, Conrad's Heart of Darkness, 1967 (Journal of Contemporary History, 18p)]Dani <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">27. [|Writing about Vietnam, a Heavy HOD Trip, 1980 (National Council of Teachers of English, 15p)] //**Jacob**// <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">28. [|Who's Afraid of Arthur Schopenhauer - A New Context for Conrad's HOD, 1994 (Nineteenth-Century Literature, 31p)] <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">29. [|Unspeakable Secrets, The Ideology of Landscape in Conrad's HOD, 1984 (Journal of the Midwest MLA, 15p)] - **Ricardo** <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">30. [|Traces of Transgression in Apocalypse Now, 1980 (Social Text, 12p)] Terry Ng <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">31. [|The Value of Facts in the HOD, 1985 (Nineteenth-Century Fiction, 19p)] **Ignacio Riemens** <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">32. [|The Ultimate Meaning of Heart of Darkness, 1963 (Nineteenth-Century Fiction, 10p)]**NAJLA S** <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">33. [|The Rhetoric of Restraint in HOD, 1977 (Nineteenth-Century Fiction, 16p)] //**Adrian**// <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">34. [|Desire in HOD, 2004 (Conradiana, 25p)] **Joanna** <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">35. [|Coleridge and Conrad, Spectral Illuminations, Widening Frames, 1982 (Journal of Narrative Technique, 10p)] **<span style="color: #ff0016; font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">AASTHA- Period 8 ** <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">36. [|Make Friends with Horror and Terror, Apocalypse Now, 1980 (Social Text, 2p)] Pedro <span style="font-family: 'Lucida Sans Unicode','Lucida Grande',sans-serif;">37. [|Apocalypse Now Redux review, 2001 (The American Historical Review, 9 p)] Pedro